The Puppets of Spelhorst (Book Review)

You’ll love it if
you enjoyed the Miraculous Journey of Edward Tulane

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The Puppets of Spelhorst

By Kate DiCamillo

Character
Plot & Pacing
Writing Craft
Moral Value

A collection of puppets go on a gentle adventure

By now, I know what to expect from Kate DiCamillo when it comes to a book like this. The Puppets of Spelhorst felt a lot like The Miraculous Journey of Edward Tulane. It’s about a collection of puppets, and things happen to them, and they are changed. Very similar to Edward Tulane, who is a toy that things happen to, and he is changed.

It’s got big-time Velveteen Rabbit vibes, let’s just say that.

This book is charming, and like DiCamillo’s other books, the scope is intimate, but the themes are big. Although the puppets are inanimate, they have an inner life in which they think and communicate with one another (but they can’t move around or speak aloud like in Toy Story).

The big theme revolves around stories and their power. What is a puppet made for if not to tell a story? But the puppets don’t know who they are or what their story is.

All of the puppets start out by defining themselves in terms of what they have (a crown, sharp teeth, real feathers, etc.). But each puppet has a desire for something more (to have a real experience of some kind), and this desire is achieved in a small way by the end of the book. Of course, this led me to ask myself to what degree are we all puppetlike creatures who exist to play a part in a much larger story that we can’t control?

This book uses repetition like the Mercy Watson / Deckawoo Drive books do, and I can see why this might distract or exasperate some readers, but, for me, it slows me down and makes it crystal clear what the author wants me to pay attention to.

I read this book to myself in about an hour. I’m wondering if my boys will enjoy it, too, or if it’ll fly over their heads and leave them wondering what it was all about.

Content warnings: None

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