The Silent Governess (Book Review)

The Silent Governess (Book Review)

You’ll love it if
you like slow-burn, clean regency romances with Christian undertones

This book review contains affiliate links. Here’s my disclosure policy.

The Silent Governess (DNF 50%)

By Julie Klassen

Character
Plot & Pacing
Writing Craft
Moral Value

When a young woman in regency-era England is forced to flee home, where will she turn?

This is the second Julie Klassen book that I’ve DNFed since the beginning of the year. I tried listening to Castaway in Cornwall on audio first, and then I got bored at the 35 percent mark. I decided to start this one, and I find that I’m forcing myself to go back to the audiobook…I have no desire to continue, so I’m going to just stop.

I don’t know if it’s the audio format or if it’s just not the right time for a regency romance. The books aren’t bad, but I think they’re lacking the conflict and emotion that I’m craving right now.

There are times when a relatively sedate and buttoned-up story is just the ticket. But, that’s falling flat for me at the moment.

Not giving up on you, Jules! I’ll be back.

Content warnings: Nothing graphic, but there was one scene when a man made unwanted advances toward the protagonist, and she got away.

3.3
Friday’s Child (Book Review)

Friday’s Child (Book Review)

You’ll love it if
Regency romances are your happy place, and you like the “fake relationship” trope

This book review contains affiliate links. Here’s my disclosure policy.

Friday’s Child

By Georgette Heyer

Character
Plot & Pacing
Writing Craft
Moral Value

It’s a marriage of convenience, but…

…could it turn into true love?

This is my second Georgette Heyer novel, and I went into it blind. I enjoyed this old-timey Regency romance for the most part, although there was a saggy bit in the beginning-middle, which I pushed through, and I’m glad I did. This book illustrates the age-old truth: you don’t know what you got till it’s gone.

The first few chapters race along because the setup is superfun: A rich, young, and hunky lord decides (on a whim) to marry a childhood friend of his. She’s young, like 16, and he’s not much older, like early 20s. They don’t love each other, but they’re chums. They’re marrying for convenience. The Viscount Sherry gets his full inheritance bestowed upon him when he marries, and our sweet young heroine (aptly named Hero) agrees to be his wife to avoid the woeful fate of becoming a governess.

After they get married, Hero proves that she has no idea how to be a proper lady, but Sherry can’t be bothered to teach her. They are both so young, and they just wanna have fu-un. Sherry is a bit of a wild boy, flirting and gaming. Hero is a fun-loving, ready-for-anything teenager.

The beginning-middle of the book shows Sherry having to clean up after Hero’s many social fumbles—taking the grownup role for the first time in his life. Hero realizes how much she loves Sherry, but Sherry is oblivious to this. Hero wonders if he regrets marrying her, and she never asks him, so she’s left to stress over it.

The book title probably comes from the traditional poem “Monday’s Child.” According to the poem, Friday’s child is “loving and giving,” and that is exactly what Hero is. She is not an Amazon or a Matriarch or any power-archetype. She’s entirely at Sherry’s mercy, yet, through her love and goodness, she saves him.

Sherry is not—ahem—politically correct, shall we say. This whole book, in fact, is delightfully incorrect in so many ways. Sherry is flawed. He doesn’t appreciate Hero and treats her like a possession. His nickname for her is “Kitten”—barf! Even after his transformation, he’s not exactly fighting for her right to be prime minister or anything like that. But he does teach her to drive, so there’s that.

3.6