A Trick of Spades (Book Review)

You’ll love it if
you want to read a YA fantasy that isn’t like all the others

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A Trick of Spades

By Tasha Kazanjian

Character
Plot & Pacing
Writing Craft
Moral Value

100 percent loved the fantasy world

This book is set in a mid-century modern Great Britain. So, think cars, cigarettes, socialites, mobsters, schoolboys, and landline telephones. It’s oh-so nostalgic and gritty. The book’s cover has more of a middle-grade vibe to it, but this book falls squarely into YA.

What makes this prosaic world magical? There are two brands of magic in Kazanjian’s alternate history: Alchemy and Illata. Some people are born with an Illata, which can be anything from the ability to unlock doors to the ability to cut off someone’s air supply. You can’t control what Illata you have or if you have one at all. Alchemy is learned magic, something that non-Illata-possessors practice at school and learn from teachers, but it’s a lot more difficult to master than Hogwarts-style magic. And schools are expensive, so Alchemy tends to be the magic of the rich.

I must say that I was completely charmed by the book’s ether. I loved the seedy underlord’s domain and the corrupt upper crust and the powerless kids caught in between. It felt very much like those hard-boiled detective novels, where things could go sideways at any moment.

The plot was simple and moderately paced. It may have benefitted from a faster pace and more subplots, but I will say that the climax of the book was “big” enough to be satisfying.

I’m not sure if this book is the first in a series, but it ended on somewhat of an unfinished note, with the core cast of characters returning (sort of) back where they started with a new goal. I’d love to know if Owl’s Nest has requested a sequel for this one, because I’m here for it.

There is no romance in this book, as is commonly expected in YA, just friendship. There is no gross violence, and there may have been a cuss word here or there, but there may not have been. There is adventure-style peril that doesn’t venture into the gory or morbid.

4.6

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